Source: Sal Idriss / Getty
Aaliyah’s fans are not here for the singer’s new, posthumous song “Poison,” a duet with The Weeknd that recently dropped.
Released on Blackstreet Records 2.0, — a music label originally founded by Aaliyah’s uncle Barry Hankerson — in conjunction with another label called Empire, “Poison” serves as the first new music fans have heard from Aaliyah since 2012’s “Enough Said” and a few posthumous features.
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The new single is also the first fans are hearing from Aaliyah’s upcoming album, Unstoppable, which is expected to be released in August 2022, and feature big names including Snoop dog, Drake, Future, Chris Brown and Ne-Yo.
The song was written by The Weeknd and Aaliyah’s “longtime collaborator and friend,” Static Major, according to Billboard. It was “produced by DannyBoyStyles and Nick Lamb, mixed by Mike Dean and engineered by Shin Kamiyama.”
Since “Poison” was released on Dec. 17, some listeners have condemned the song for what they believe is poor audio quality and it not being in line with Aaliyah’s standards.
Others noted that they felt the late singer is continuously exploited and that the new track isn’t doing her legacy justice.
One Twitter user went as far as to describe the song as “the worst thing” they’ve ever heard.
It’s so disappointed bc the song actually good, but the mixed and her part just BAD
— 𝒶𝓃𝒹𝓎 (@gothamqueen_) December 17, 2021
Hankerson said he hasn’t been in touch with Aaliyah’s camp at all during the process of developing the singer’s new album or “Poison.”
“No, not at all,” Hankerson answered concerning whether he’s discussed the rollout of Aaliyah’s new music with her estate in conversation with Billboard. “We hope they’re happy. Our door and our phone is always available if there are any comments they’d like to make about anything. We’re open to that. I don’t really know who runs that entity, but I’m not hostile at all. Anything that’s connected to Aaliyah in a positive way, we are open to be involved with and do whatever we can do. We hope it’s profitable for them. We hope that the public enjoys what we’ve done so that the estate can accomplish whatever their goals are. I just hope that out of the very terrible thing that happened to my niece that people can heal. That people can look at all the good things and not just the controversial things that may encompass their thinking. I’m not angry with anybody.”
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See some of the commentary about “Poison” down below.
if aaliyah’s vocals on the demo were too unclear to the point that your engineers couldn’t mix and master them to sound good, this song shouldn’t have been released. shame on y’all https://t.co/2Xo1UiGB70
— Z 🤍 (@betterpositionz) December 17, 2021
Why does Aaliyah sound like she left The Weeknd a voicemail and he decided to record it himself ??? Fix it now ! @Blackground
— AALIYAH LEGION (@AaliyahLegion) December 17, 2021
May everyone involved in the release of “Poison” with Aaliyah and The Weeknd never know peace! I hope she haunts y’all asses in your sleep with her swoop bang!
— ᴅᴏʟʟᴀʀ (@callmedollar) December 17, 2021
ITS KINDA NOT THAT BAD.. pic.twitter.com/n2WvMfncJY
— andrew (@safetyncts) December 15, 2021
This Aaliyah vocal sounds like a (bad) demo recording and one that they upped the BPM on to make it feel contemporary. I can’t imagine this melody being recorded at this BPM back then
— Terrance… (@iTerryTommy) December 17, 2021
Every time I think about Aaliyah I get pissed off. She was exploited and hyper sexualized her entire life and even worse in death. Let that girl rest peacefully stop remixing her songs.
— Maya Angelique👑 (@moneyymaya) December 17, 2021
Aaliyah, I’m so sorry…🥴
— AaliyahAlways (@_AaliyahAlways) December 17, 2021
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